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The Illegitimate State and Cinematographic Discourse in Cameroon
Cinema CRTV and the Cable Television Syndrome in Cameroon
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aesthetic African cinema African film African filmmakers Afrique Ahidjo Ahmadou Ahidjo articulation audience autocrat Bamileke Bassek Ba Kobhio becomes Black camera Cameroon Cameroonian Cameroonian cinema Cameroonian filmmakers Cameroonian films Cameroonian society camerounais Chef-du-Quartier chief Cineaste Clando colonial context critical CRTV cultural Daniel Kamwa Dikongue-Pipa discourse doctor documentary domination Douala dowry enunciation European fact film's filmic Fleece Foucault France francophone French gangsters gaze gender Grand Blanc griot identity ideological images invisible Jean-Marie Teno Jean-Pierre Bekolo Jisset Kamwa's film Lambarene Lombi Mbembe means Metz modern Moni-Sam Muna Moto N'Dome N'Gando narrative native neocolonial noire occult oral tradition Paris Paul Biya Pius Njawe plumerai political position postcolonial postmodern Pousse Pousse present prison production Protee Protee's Quartier Mozart question reality regime relationship role scene Schweitzer screen sexual shot Sobgui social space structure symbolic television Teno's Third Cinema tion Ukadike viewers violence voice-over White women Yaoundé young