Foundations of Cognitive Psychology: Core Readings

Front Cover
MIT Press, 2002 - Medical - 862 pages

Scientists from many disciplines, including physics, chemistry, biology, and neuroscience, contribute to the study of cognition. Cognitive psychology, the science of the human mind and of how people process information, is at the core of empirical investigations into the nature of mind and thought.

This anthology is based on the assumption that cognitive psychology is at heart empirical philosophy. Many of the core questions about thought, language, perception, memory, and knowledge of other people's minds were for centuries the domain of philosophy. The book begins with the philosophical foundations of inquiry into the nature of mind and thought, in particular the writings of Descartes, and then covers the principal topics of cognitive psychology including memory, attention, and decision making.

The book organizes a daunting amount of information, underlining the essentials, while also introducing readers to the ambiguities and controversies of research. It is arranged thematically and includes many topics not typically taught in cognition courses, including human factors and ergonomics, evolutionary psychology, music cognition, and experimental design.

The contributors include: Daniel Dennett, Daniel Kahneman, Jay McClelland, Donald Norman, Michael Posner, Stephen Palmer, Eleanor Rosch, John Searle, Roger Shepard, and Anne Treisman.

 

Contents

Visual Awareness
3
Where Am I?
23
Can Machines Think?
35
Neural Networks
55
The Appeal of Parallel Distributed Processing
57
Objections
93
Minds Brains and Programs
95
Experimental Design
113
Cognitive Psychology and Music
503
Expertise
515
Prospects and Limits of the Empirical Study of Expertise An Introduction
517
Three Problems in Teaching General Skills
551
Musical Expertise
565
Decision Making
583
Judgment under Uncertainty Heuristics and Biases
585
Decision Making
601

Experimental Design in Psychological Research
115
Perception
131
Perception
133
Organizing Objects and Scenes
189
The Auditory Scene
213
Categories and Concepts
249
Principles of Categorization
251
Philosophical Investigations Sections 6578
271
The Exemplar View
277
Memory
293
Memory for Musical Attributes
295
Memory
311
Attention
361
Attention and Performance Limitations
363
Features and Objects in Visual Processing
399
HumanComputer Interaction
415
The Psychopathology of Everyday Things
417
Distributed Cognition
443
Music Cognition
453
Neural Nets Temporal Composites and Tonality
455
The Development of Music Perception and Cognition
481
For Those Condemned to Study the Past Heuristics and Biases in Hindsight
621
Evolutionary Approaches
637
Adaptations Exaptations and Spandrels
639
Toward Mapping the Evolved Functional Organization of Mind and Brain
665
Language 1Language Acquisition
683
The Invention of Language by Children Environmental and Biological Influences on the Acquisition of Language
685
Language 2Language and Thought
705
Languages and Logic
707
Language 3Pragmatics
717
Logic and Conversation
719
Idiomaticity and Human Cognition
733
Intelligence
751
In a Nutshell
753
A Rounded Version
761
Individual Differences in Cognition
779
Cognitive Neuroscience
817
Localization of Cognitive Operations in the Human Brain
819
The Mind and Donald O Hebb
831
Imaging the Future
841
Index
855
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About the author (2002)

Daniel J. Levitin was born on December 27, 1957 in San Francisco, California. He studied electrical engineering at the Massachusetts Institute of Technology and music at the Berkley College of Music before dropping out of college to become a record producer and professional musician. He returned to school in his thirties, where he studied cognitive psychology/cognitive science, receiving a B.A. from Stanford University in 1992 and a M.Sc. in 1993 and Ph.D. in 1996 from the University of Oregon. He is a cognitive psychologist, neuroscientist, and author. He runs the Levitin Laboratory for Musical Perception, Cognition, and Expertise at McGill University. He has published extensively in scientific journals and music trade magazines such as Grammy and Billboard. He is also the author of several books including This Is Your Brain on Music, The World in Six Songs, and The Organized Mind: Thinking Straight in the Age of Information Overload.

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