Indian Musical Traditions: An Aesthetic Study of the Gharanas in Hindustani Music |
Contents
Restraint and Purity | 3 |
Bandish and the Laws of Form | 30 |
Two Gharanas at the Two Ends | 41 |
Copyright | |
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Common terms and phrases
7EPE Abdul Karim Khan achieve aesthetic Agra gharana alapi Alladiya Khan Amir Khan audience B.R. Deodhar Bade Gulam bandish bani-s beauty Bhaskarbuwa Bakhale bhavageet Bhimsen Joshi Bombay cheej classical music created criticism Deodhar dhrupad disciple discussion EALP EBLP ECLP elaboration element emotions expression fact factor Faiyaz Khan function gayaki Govindrao Tembe Gulam Ali Khan guru Hindi Hindustani Music Hirabai Badodekar Hussein Khan important Indian Music Indore Jaipur kana-s Khan's Khansaheb khayal khayal-singing Kirana gharana Kumar Gandharva layakari listener literary manner Marathi meaning MOAE Mogubai Kurdikar music artists music concerts musical notes musicians musicologists Naththan Khan nature Pandit Patiala performance present principle raga raga-s rhythm-play Seashore's Shankar singer singing slow tempo song style sung swara and laya system of music tala tana tana-s thing thumari tion tonal tradition upaj Vamanrao various gharanas Vaze vocal music voice voice-production Western Music words