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Chapter One The Development of Handel1an Orator1o
n Italian versus English Text The Soloist Problem The Da Capo Aria
15 other sections not shown
accompanied recitative Alexander Balus alto anthem choruses appears aria's arioso Athaliah autograph Avolio Barclay Squire bass Beard Belshazzar cantata capo aria character characteristic choral chords Chrysander Cibber coloratura composed composition connexion contrast copyist declamation Deum Dublin duet duet-chorus earlier edition effect English Esther expression f1rst feature final chorus fleur-de-lis Foundling Hospital Francesina Frasi Funeral Anthem Granville Guadagni Hallelujah Hallelujah Chorus Hamburg copy Handel Handel's death Handelian Handelian oratorio homophonic Israel in Egypt Italian Jephtha Judas Maccabaeus later oratorios London Lord manuscripts melodic Messiah middle section Miss Young motive movement names Needler Occasional Oratorio opera original form Ouseley copy performance piece polyphonic praise presumably rhythm rhythmical ritornello Samson Saul scene score seems setting shortened singers Smith Collection solo soloists soprano sound is gone stressed style sung tempo tenor theme tion tradition verse voice volumes watermark whole written