Critical Perspectives on Nigerian LiteraturesBernth Lindfors Vernacular literatures: Olajubu, O. Iwi Egungun chants. Owomoyela, O. Folklore and Yoruba theater. Adedeji, J. Trends in the content and form of the opening glee in Yoruba theater. Skinner, N., et al. Wakar Bushiya. Echeruo, M. The dramatic limits of Igbo ritual. Emenyonu, E. Early fiction in Igbo. Literatures in English: Armstrong, R. P. The narrative and intensive continuity. Brown, L. Cultural norms and modes of perception in Achebe's fiction. Skinner, N. From Hausa to English. Nwoga, D. Plagiarism and authentic creativity in West Africa. Lindfors, B. The early writings of Wole Soyinka. Dodson, D. The role of the publisher in Onitsha market literature. Stevenson, W. H. The horn. Kronenfeld, J. Z. The "communistic" African and the "individualistic" Westerner |
Contents
Yoruba TheaterJoel Adedeji | 41 |
A Hausa Satirical PoemNeil Skinner et | 75 |
The PalmWine | 103 |
Copyright | |
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Abiola Irele Abubakar Achebe's action African literature African Writers Aiyé Anorue Appolos artist audience chant character Chinua Achebe CHORUS Christian Christopher Okigbo conflict critical cultural d'èhìn drama dramatist drum Egúngún English entrance song episodes essay European fact father festival Gebo Hausa Horn Hubert Ogunde human Igbo society individual iwì J. P. Clark Keffi Kyauta Lagos Lakunle language literary lọ London Malam Shehu modern narrative Negritude Nigerian Literature Nigerian Novel Njoku Nsukka Odumodu offspring Ohaejesi Ojè Okigbo Okonkwo Omenuko Ọmọ onídán Onitsha Onitsha Market Literature Opening Glee oral oríkì Palm-Wine Drinkard pamphlets performance play poem poet poetry political published ritual salutes sense Sidi social story Theatre theatrical theme Things Fall tion town traditional Tutuola Ulli Beier University of Ibadan village West African Western Wole Soyinka Yorùbá Zainabu