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Svara Graph No 3 Svara Graph No
Importance For International Understanding
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Abhinavagupta According aesthetic Alamkars Alaps Amir Khushru Aroha Arohavaroha ASAWARI asked aspects BHAIRAVI Bharata Bhava Bhatta BILAWAL Bombay Brahaspati Brahmanas breathing cartilages Chapter classical music College compositions dancing Darpana DHAIVATA Dhrupad emotions employed folk-songs GANDHAR Gandharva Grama Hindi Hindustani Music Hrdaya important Indian Music instrumental music Jati Kala Khan Khayal knowledge KOMAL larynx Laya lesson Madhya MADHYAMA Mandra Matanga Mela melodies Murchhana music-education music-teacher musicians musicologists Natyasastra NISADA notation Paluskar period Persian pitch play poetry Prakarana produced pupil-teacher pupils questions Ragas Raginis Ramamatya Rasa recognised SADJA Sangeet Sangita Sangita Ratnakar scholars schools Simha singing Sitar song or Gat sound Srutis stage string Suddha Svaras Swara syllabus Tabla Tanpura teaching aid teaching music tests THATA Tivra tune Udatta V. N. Bhatkhande various vibrations Vikrita Svaras VINA Visnu Digambar Vocal Music vocal-cords voice voice-culture Yes/No