Borderlands: The New Mestiza

Front Cover
Aunt Lute Books, 1987 - Mexican American women - 203 pages
94 Reviews
"Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the groundbreaking essays and poems in this volume profoundly challenged how we think about identity. Borderlands/La Frontera remapped our understanding of what a "border" is, seeing it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us."

From inside the book

What people are saying - Write a review

User ratings

5 stars
49
4 stars
29
3 stars
12
2 stars
3
1 star
1

Just like a good writer should. - Goodreads
So amazing she got to write the introduction. - Goodreads
I first read this book in my intro to feminism course. - Goodreads

Review: Borderlands/La Frontera: The New Mestiza

User Review  - K. Euler - Goodreads

In the preface to the first edition of Borderlands/La Frontera, Anzaldua proclaims “we Chicanos no longer feel need to beg entrance” and that “we ask to be met halfway.” Her proclamation justifies the ... Read full review

Review: Borderlands/La Frontera: The New Mestiza

User Review  - Natalia - Goodreads

I first read this book in my intro to feminism course. Captivating and emotional. A must read. Read full review

Contents

Movimientos de rebeldía y las culturas que traicionan page
15
Entering Into the Serpent page
25
A La herencia de Coatlicue The Coatlicue State page
41
Copyright

7 other sections not shown

Common terms and phrases

References to this book

All Book Search results »

About the author (1987)

A native of the Southwest, Anzaldua is a Chicana lesbian feminist theorist, creative writer, editor, and activist. She has taught Chicano studies, feminist studies, and writing at a number of universities. In addition, she has conducted writing workshops around the world and has been a contributing editor for the feminist literary journal Sinister Wisdom since 1984. She has also been active in the migrant farm workers movement. Anzaldua first came to critical attention with an anthology she coedited with Cherrie Moraga, another Chicana lesbian feminist theorist and writer. Titled This Bridge Called My Back: Writings by Radical Women of Color (1981), the anthology includes poetry, fiction, autobiographical writing, criticism, and theory by Chicana, African American, Asian American, and Native American women who advocate change in academia and the culture at large. Anzaldua is well known for her second book, Borderlands/La Frontera (1987). It combines prose and poetry, history, autobiography, and criticism in Spanish, English, as well as Tex-Mex and Nahautl. Its purpose is to interrogate and deconstruct sexual, psychological, and spiritual borderlands as well as the United States-Mexican border. In 1990 Many Faces/Making Souls was published. Anzaldua currently resides in Santa Cruz, California.

Bibliographic information