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accomplish acter acting actor actress Arthur Miller attempt attention audience audition Bandjarmasin basic beginning behavior believe body chapter character character's concentrate Constantin Stanislavski create David Rabe develop director discover dramatic dramatist Edward Albee Emily emotional exercises experience external feel GIRL given circumstances Hello Hello—out images imaginary circumstances imagination important improvisation inner resources intention involyes Jerzy Grotowski Juliet key lines King Lear Lear logical look Mark Medoff meaning memory Miss Firecracker Contest motivating desire movement object observation obstacle onstage performance person physical actions plav play playwright practice problem production props puppy purpose realize rehearsal relation relationship relaxation responses role Romeo Romeo and Juliet scene score sensory sensory memory situation social inhibitions speak specific speech stage Stanislavski Stephen stimulate subtext talking technique tell tempo-rhythm Tennessee Williams tension theatre things tion Tybalt understand voice walking words York YOUNG