The aesthetics of disappearance

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Semiotext(e), Dec 1, 1991 - Fiction - 128 pages
2 Reviews
In The Aesthetics of Disappearance, Paul Virilio traces out the relationship of biological optics to the technological "production of appearance." In the perceptual gaps demanding illusions of continuity, Virilio posits a hyper-opportunity for the production of art in speed. Jumping from Old Testament parable to the history of contemporary cinema, to the history of philosophy and contemporary technology, Virilio teleports among an irregular constellation of high-speed artifice where love is a motion faster than light and the paradoxes of empiricism mire science in "motion without mobility."

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Review: The Aesthetics of Disappearance

User Review  - Cameron Kunzelman - Goodreads

Not nearly focused enough. Meandering Virilio is the worst kind of Virilio. Read full review

Review: The Aesthetics of Disappearance

User Review  - Derek Woodgate - Goodreads

I am a big Virilio fan, so enjoying the book so far. I seem to have come across references to George Melies more frequently in the past six months than in the previous decade. Thank you Hugo. The ... Read full review

Contents

Part One
9
Part Two
41
Part Three
75
Copyright

2 other sections not shown

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References to this book

Spatial Formations
Nigel Thrift
No preview available - 1996
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About the author (1991)

Paul Virilio has published twenty-five books, including Pure War (1988) (his first in English) and The Accident of Art (2005), both written with Sylvère Lotringer, as well as Speed and Politics and Lost Dimension, all published by Semiotext(e).

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