Brecht: A Collection of Critical Essays, Volume 10Peter Demetz Contributing Authors Include Sergey Tretiakov, Hannah Arendt, Eric Bentley And Many Others. Brecht's Theory Of The Stage, World Famous Today, But All Two Often Misunderstood, Is Contrasted With The Rules Of Classic Theater And The Method Of Stanislawsky. |
Contents
INTRODUCTIONPeter Demetz | 1 |
BERT BRECHTSergey Tretiakov | 16 |
FROM THE TESTIMONY OF BERTOLD BRECHTHearings of | 30 |
Copyright | |
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achieved acting action actor aesthetic distance alienation artistic attitude audience Azdak Baal ballad basic become Berlin Bertolt Brecht bourgeois Brecht's plays Brechtian Caucasian Chalk Circle CHAIRMAN character classical comedy Communist Party concept contemporary critical dialectical didactic direct drama effect elements emotional epic theater epoch expression Expressionist fate film Galileo Galy Gay German gesture Grusha Hanns Eisler Hindemith human ideas illusion individual Kattrin language Lehrstück literature Little Organon living Mahagonny Man's Martin Esslin Marxist means Measures Taken modern moral Moscow Mother Courage nature never parody Peakheads performance Pirandello Piscator Piscator's playwright poems poet poetry political proletarian Puntila question reality revolutionary Roundheads Saint Joan scene sense Shen Te's Shui social socialist realism song Soviet spectator split stage STRIPLING T. S. Eliot teatro theatrical theory Threepenny Opera tion tradition tragedy tragic translation truth Weill Woman of Setzuan words write wrote