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AlbertReiner Glaap Marc Maufort
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Abegsah Aboriginal Alali apartheid audience Australian Basi and Company Beaver become Calypso Canadian Caribbean Carnival characters civil society Claudia Dey colonial contemporary context Couvade creative cultural dance dancers Dattani dramaturgy dream Earl Lovelace English essay European father Foreskin's Lament Girish Karnad Glaap Hall's hybrid identity Indigenous Indigenous Australian Jairaj Jestina JOSCO Karnad Ken Saro-Wiwa land Leave Taking literature living London Mahesh Dattani Makak mandiela Market Forces metaphorical military Monkey Mountain mother multicultural narrative National Native Nigerian Nigerian society obeah Pakeha performance Pettle play play's playwrights political Post-Colonial Drama postcolonial Press production Purapurawhetu Rani Ratna reconciliation ritual role sacrifice satirical says scene Sebe Seeyd social song South African theatre Soyinka space spiritual Stages of Grieving story symbolic syncretic theatrical Tomson Highway traditional Transistor Radio Trinidad Trinidad Carnival University violence vision Walcott Wellington West Indian Winsome Pinnock woman writing Zealand