The songs became the stories: the music in African American fiction, 1970-2005
The Songs Became the Stories: The Music in African-American Fiction, 1970-2005 is a sequel to The Music in African-American Fiction, which traced the representation of music in fiction from its mid-nineteenth-century roots in slave narratives through the Black Arts Movement of the 1960s. The Songs Became the Stories continues the historical, critical and musicological analyses of the first book through an examination of many of the major figures in African-American fiction over the past thirty-five years, including Ishmael Reed, Toni Morrison, Ntozake Shange, Nathaniel Mackey, Alice Walker, Albert Murray and John Edgar Wideman. The volume also includes an extensive annotated discography and excerpts from first-hand interviews with major African-American musical artists.
12 pages matching "Singing in the Comeback Choir" in this book
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African African-American culture African-American Fiction African-American music African-American oral tradition ain't album American artists Arts Movement band Bessie Smith Billie Holiday Black Arts Black Arts Movement black music blues singer blues woman call and response career Cartier's Celie Charlie Parker Coltrane Corregidora creative cultural conduit Damballah dance Doot Dream emerged expressive forms feel Gracie Mae guitar hear Homewood Homewood Trilogy identity impulse Ishmael Reed italics Jes Grew John Coltrane Lindy listening lives Louis Armstrong Maxine Miles Davis Milkman Mississippi Mumbo Jumbo Murray's Muse-Echo Blues Music in African-American musicians narrative narrator novel Orleans performance pianist piano Pilate play provides recognizes recorded Reed's relationship representation of music rhythm rhythm and blues role roots saxophonist Scooter Shug singing Smithsonian Folkways solo Song of Solomon sound Soupspoon spiritual story Sybela tell Tina Turner Toni Morrison's touchstone for racial transcend Traynor tune Ursa voice voodoo women young