A change in the weather: modernist imagination, African American imaginary
This book explores the impact of African American culture on modernist poetic language by placing black literature and culture at the center of an inquiry into the genealogy of avant-garde poetics. Geoffrey Jacques looks at how blackface minstrelsy, ragtime, vernacular languages, advertising copy, Freud's idea of the Uncanny, vaudeville, the cliche, and Tin Pan Alley-style song all influenced modernist poetry. In a key insight, Jacques points out that the black urban community in the United States did not live in ghettos during the years before World War I, but in smaller enclaves spread out among the general population. This circumstance helped catalyze African American culture's dramatic and surprising impact on the emergent avant-garde. By using a wide range of theoretical tools, Jacques poses new questions about literary, cultural, and social history, the history and structure of modernist poetic language, canon formation, and the history of criticism. This contribution to the ongoing debate over early twentieth-century culture presents modernism as an interracial, cross-cultural project, arguing for a new appreciation of the central role black culture played within it. Writers and artists whose works are discussed include Marianne Moore, Charles Chesnutt, Jean Toomer, Wallace Stevens, James A. Bland, Paul Laurence Dunbar, Gertrude Stein, Bert Williams, Zora Neale Hurston, Samuel Beckett, W. C. Handy, Hart Crane, and Clement Greenberg.
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aesthetic African American culture African American Imaginary African American literature American poetry anxiety appears argue artists attempt avant-garde Avant-garde and Kitsch Beckett Bert Williams black culture black writers blackface Cane canon character chorus cities claims cliche Comedian comedic context coon song Crispin criticism decades dialect discourse Dunbar early twentieth centuries emergence English ernist essay Estragon figure genre Golden Slippers Greenberg Handy Harlem idea identified important jazz Karintha kitsch Langston Hughes late nineteenth linguistic literary modernism Louis Blues lyric major mask means Miller minstrel minstrelsy modernist literature narrative Negro performers phrases play poem poem's poet poet's popular culture question racial racist ragtime relationship Rexroth rhetorical seems sense signified social speaker speech Stein stereotype Stevens's suggests symbol T. S. Eliot Tender Buttons tion Toomer uncanny understanding urban vaudeville vernacular verse voice W. E. B. Du Bois Williams's words writes