A change in the weather: modernist imagination, African American imaginary

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University of Massachusetts Press, 2009 - Literary Criticism - 185 pages
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This book explores the impact of African American culture on modernist poetic language by placing black literature and culture at the center of an inquiry into the genealogy of avant-garde poetics. Geoffrey Jacques looks at how blackface minstrelsy, ragtime, vernacular languages, advertising copy, Freud's idea of the Uncanny, vaudeville, the cliche, and Tin Pan Alley-style song all influenced modernist poetry. In a key insight, Jacques points out that the black urban community in the United States did not live in ghettos during the years before World War I, but in smaller enclaves spread out among the general population. This circumstance helped catalyze African American culture's dramatic and surprising impact on the emergent avant-garde. By using a wide range of theoretical tools, Jacques poses new questions about literary, cultural, and social history, the history and structure of modernist poetic language, canon formation, and the history of criticism. This contribution to the ongoing debate over early twentieth-century culture presents modernism as an interracial, cross-cultural project, arguing for a new appreciation of the central role black culture played within it. Writers and artists whose works are discussed include Marianne Moore, Charles Chesnutt, Jean Toomer, Wallace Stevens, James A. Bland, Paul Laurence Dunbar, Gertrude Stein, Bert Williams, Zora Neale Hurston, Samuel Beckett, W. C. Handy, Hart Crane, and Clement Greenberg.

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Contents

Introduction
1
CHAPTER
27
CHAPTER
58
Copyright

6 other sections not shown

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About the author (2009)

Geoffrey Jacques is a poet, critic, and teacher who writes about literature, the visual arts, and culture. His research interests include modernist poetry and poetics, African American literature and culture, and the postmodern city. His latest book of poems is Just for a Thrill (Wayne State University Press, 2005). His previous poetry collections include Hunger and Other Poems (1993) and SUSPENDED KNOWLEDGE (1998). Jacques has also published poems in such journals and anthologies as FENCE, Callaloo, HAMBONE, MiPoesias, Black Renaissance Noire, O-Blek, Long News in the Short Century, in the anthology Abandon Automobile: Detroit City Poetry 2001 (Wayne State University Press, 2001), and elsewhere.

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