Ozu's Tokyo Story

Front Cover
David Desser
Cambridge University Press, Apr 13, 1997 - Performing Arts - 173 pages
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Ozu's Tokyo Story is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be appreciated. The introduction outlines Ozu's career as both a contract director of a major studio and as a singular figure in Japanese film history, and also analyses the director's cinematic style, particularly his narrative strategies and spatial compositions. Other essays situate Ozu's cinema in its relationship to Hollywood film-making: his relationship to aspects of Japanese tradition, situating the film within artistic modes, religious systems and beliefs, and socio-cultural and familial formations. Also included is an analysis of how Ozu has been misunderstood in Western criticism.
  

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Contents

A Filmmaker for All Seasons
1
Ozus Tokyo Story and the Recasting of McCareys Make Way for Tomorrow
25
Travel Toward and Away Furusa and Journey in Tokyo Story
53
Ozus Mother
76
Buddhism in Tokyo Story
101
Sunny Skies
118
Filmography
131
Reviews of Tokyo Story
145
Select Bibliography
169
Index
171
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