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A. C. Scott acting form acting techniques actor's technique aesthetic Antonin Artaud Artaud Arthur Waley artist Asian acting Asian stage aspects attempt audience basic beauty bio-mechanics blooming body character Constantin Stanislavski costume create dance Dengaku discussion elements emotion essence of reality exists facial expression genuine Flower grace Grotowski Hana illusion imitation inner Japan Japanese Theatre Kanami Kwadensho Marcel Marceau master means Meyerhold miming mind monomane and yugen Moscow Art Theatre movement and gesture nature Nogami Noh actor Noh drama Noh stage Noh theatre Onnagata Oriental stage Oriental theatre pantomime passing Flower physical actions plays principle Pronko realism representation rhythm role Sangaku Sarugaku Seami significance silence spectator stage technique Stanislavski style stylized symbolic techniques of acting term theatre of Japan theatrical form theory tion traditional trans truth Tulane Drama Review Unpublished Notes Vsevolod Meyerhold Western actor Western stage Western theatre word yugen youth Zeami Zeami's thought