Shogun's Painted Culture: Fear and Creativity in the Japanese States, 1760-1829

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Reaktion Books, Aug 1, 2000 - Art - 311 pages
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In this penetrating analysis of a little-explored area of Japanese cultural history, Timon Screech reassesses the career of the chief minister Matsudaira Sadanobu, who played a key role in defining what we think of as Japanese culture today. Aware of how visual representations could support or undermine regimes, Sadanobu promoted painting to advance his own political aims and improve the shogunate's image. As an antidote to the hedonistic ukiyo-e, or floating world, tradition, which he opposed, Sadanobu supported attempts to construct a new approach to painting modern life. At the same time, he sought to revive historical and literary painting, favouring such artists as the flamboyant, innovative Maruyama Okyo. After the city of Kyoto was destroyed by fire in 1788, its reconstruction provided the stage for the renewal of Japan's iconography of power, the consummation of the 'shogun's painted culture'.
 
“Screech’s ideas are fascinating, often brilliant, and well grounded. . . . [Shogun’s Painted Culture] presents a thorough analysis of aspects of the early modern Japanese world rarely observed in such detail and never before treated to such an eloquent handling in the English language.”—CAA Reviews

“[A] stylishly written and provocative cultural history.”—Monumenta Nipponica
 
“As in his admirable Sex and the Floating World: Erotic Images in Japan 1700-1820, Screech lavishes learning and scholarly precision, but remains colloquial in thought and eminently readable.”—Japan Times
 
Timon Screech is Senior Lecturer in the history of Japanese art at SOAS, University of London, and Senior Research Associate at the Sainsbury Institute for the Study of Japanese Arts and Cultures. He is the author of several books on Japanese history and culture, including Sex and the Floating World: Erotic Images in Japan 1700–1820 (Reaktion, 1999).
  

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Review: Shogun's Painted Culture: Fear and Creativity in the Japanese States, 1760-1829

User Review  - Alex - Goodreads

This book proposes that there was a concerted effort in creating a national identity in Japan during the mid-Edo period and that this national identity was formed through controlled use of imagery in officially sponsored art forms. Read full review

Contents

Contents
6
Sugita Genpaku and the Dismemberment of the Present
56
Image Management for Royal Power
111
Okyos New Concept
167
Boundaries for a Centre
208
References
267
Select Bibliography
296
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Page 296 - Illustrations of Japan; consisting of Private Memoirs and Anecdotes of the Reigning Dynasty of the Djogouns, or Sovereigns of Japan a description of the Feasts and Ceremonies observed throughout the year at their court; and of the ceremonies customary at Marriages and Funerals...

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About the author (2000)

Timon Screech is Senior Lecturer in the history of Japanese art at SOAS, University of London, and Senior Research Associate at the Sainsbury Institute for the Study of Japanese Arts and Cultures. He is the author of several books on Japanese history and culture, including Sex and the Floating World: Erotic Images in Japan 1700–1820 (Reaktion, 1999).

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