The death of cinema: history, cultural memory and the digital dark age

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British Film Institute, Apr 1, 2001 - Art - 134 pages
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It is estimated that about one and a half billion hours of moving images were produced in 1999, twice as many as a decade before. If that rate of growth continues, one hundred billion hours of moving images will be made in the year 2025. In 1895 there were just above forty minutes of moving images to be seen, and most of them are now preserved. Today, for every film made, thousands of them disappear forever without leaving a trace. Meanwhile, public and private institutions are struggling to save the film heritage with largely insufficient resources and ever increasing pressure from the commercial world. Are they wasting their time? Is the much feared and much touted Death of Cinema already occurring before our eyes? Is digital technology the solution to the problem, or just another illusion promoted by the industry?
In a provocative essay designed as a collection of aphorisms and letters, Paolo Cherchi Usai brings an impassioned scrutiny to bear on these issues with a critique of film preservation, an indictiment of the crimes perpetuated in its name, and a proposal to give a new analytical framework to a major cultural phenomenon of our time.
"The Death of Cinema" is published in Italian as "L'ultimo spettatore." Sulla distruzione del cinema 1999, Editore Il Castoro.

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Review: The Death of Cinema: History, Cultural Memory and the Digital Dark Age

User Review  - Samuelprime2007 - Goodreads

Cherchi Usai can easily be called a genius and an ardent lover of the cinema; in this, his collection of thoughts and aphorisms on cinema's destruction and disappearance, he brings to light a subject ... Read full review

Review: The Death of Cinema: History, Cultural Memory and the Digital Dark Age

User Review  - Meredith Reese - Goodreads

Nihilistic film preservation theory. Gotta love it! Read full review

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About the author (2001)

Paolo Cherchi Usai is Senior Curator of the Motion Picture Department at George Eastman House and Director of the L. Jeffrey Selznick School of Film Preservation. He is the author of Burning Passions (BFI, 1994) which was published in a revised edition by the BFI in 2000, entitled Silent Cinema: An Introduction.