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actors ambiguity apparently argues Aristotle Aristotle's artistic audience bourgeois Cain called Callimaco centuries comedians comedy comedy's comic characters comic plays comic playwright comic plots comic spirit conflict convention cynicism dialogue divine E. K. Chambers eiron embodies ence entertainment Euripides example express F. M. Cornford familiar finally Freud George Bernard Shaw happy ending Helen Henri Bergson Horace human humor Ibid ironic irony joke Jonson later laugh laughter Ligurio living lovers Lucre Lucretia Machiavelli Mandragola Mayakovsky Menander Middleton Mikhail Bakhtin mirror mocking modern critics moral Mystery-Bouffe Nicia Northrop Frye paradox Plato Plautine Plautus Plautus's play's playwright poet Poetics portrays Press prologue realism reality reminds Renaissance satire Saturnalian scene seems sense Shakespeare Shaw's slave social society spectators stage suggest Superman Tanner theater theatrical Theoclymenus Thomas Middleton tion tradition tragedy trans transcendent Trick University vision W. C. Fields Wakefield Master Witt-good words York