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acting actor needs actor's body actress Alexander principle Alexander teacher Alexander Technique teacher Alexander's allow animal ankles applying the Alexander arms audience balance breath challenge character chest choice coach Colm Feore corset costume create director dynamic emotional end-gaining energy exercise experience explore feel feet fingers flexibility floor forward and upward free the neck freedom gently Glenn Gould habit hands head and neck heightened help the actor hip joints inhibition initial kinesthetic kiss knees legs lengthen Lion King lower back mask Mirvish Productions move movement observe occipital joint partner partnership pelvis performance physical play primary control problems pubic bone pushing raked stage rehearsal process relax release ribs Richard III Royal National Theatre scene sense shape sit bones space spine sternum Stratford Festival stretch student tension theatre theatrical thrust stage tion torso understudy upward direction uvula vocal warm-up warthog weight young actors
Review: mcevenue: AT for Actors - 8.23.25
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The Actor and the Alexander Technique (豆瓣)
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The Actor and the Alexander Technique - Kelly R. mcevenue (0312295154)
School of Drama February 2003