Charles Garnier's Paris Opéra: architectural empathy and the renaissance of French classicism
Charles Garnier's Paris Opera (1861-1875) is one of the largest, most flamboyant, and most expensive monuments commissioned by the Second Empire of Napoleon III. For years scholars have recognized that the Opera is key to any understanding of nineteenth-century French architecture, yet questions of style that have surrounded the Opera since its inception have remained unresolved. By making systematic use of the mostly unpublished Opera Archive, Mead fills in the missing links to previous investigations and unlocks the significance of this seminal masterpiece.
Mead approaches the Opera through Garnier's life. In a careful analysis of the Second Empire's intellectual climate, he provides a new interpretation of the genesis of the Opera's style. Mead reconstructs in detail the social, political, intellectual, professional, and industrial circumstances of Garnier's career as they were expressed through the Opera's design and construction. He shows that with the Paris Opera, Charles Garnier revived French classicism by insisting on its necessary evolution to a modern expression of its time, and on its empathetic origins in the rich complexities of human experience.
Christopher Mead is Associate Professor in the Department of Art and Art History at the University of New Mexico.
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Review: Charles Garnier's Paris Opera: Architectural Empathy and the Renaissance of French ClassicismUser Review - Elizabeth Quinn - Goodreads
I read this as research for my novel, My Phantom: The Memoir of Christine Daaé. This is the definite work on Garnier's masterpiece. Read full review
Review: Charles Garnier's Paris Opera: Architectural Empathy and the Renaissance of French ClassicismUser Review - EA Bucchianeri - Goodreads
The Palais Garnier, better known as the Paris Opera House, despite the fact it now houses the National Ballet after the opera company moved to the new glass edifice in the Bastille district in the ... Read full review
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CHRISTOPHER CURTIS MEAD
CHRISTOPHER CURTIS MEAD. College of Fine Arts. 4504 Sunningdale Ave. NE. University of New Mexico. Albuquerque, NM 87110. Albuquerque, NM 87131 ...
finearts.unm.edu/ pdf/ CM_Resume.pdf
Charles Garnier's Paris Opera - The MIT Press
By making systematic use of the mostly unpublished Opera Archive, Mead fills in the missing links to previous investigations and unlocks the significance of ...
mitpress.mit.edu/ catalog/ item/ default.asp?ttype=2&
Rhodes Historical Review 2007.indb
therhodes. Historical Review. Volume 9. Spring 2007. • Erin Brown • Joan Campbell • Alison Lohse • Duvall Osteen. Essays by ...
www.rhodes.edu/ images/ content/ History_Docs/ Historical_Review_Spring_07.pdf
JSTOR: Rudolf Wittkower and Architectural Principles in the Age of ...
Rudolf Wittkower and Architectural Principles in the Age of Modernism. Alina A. Payne. The Journal of the Society of Architectural Historians, Vol. 53, No. ...
CHARLES GARNIER'S PARIS OPERA AND THE RENAISSANCE OF CLASSICISM IN ...
CHARLES GARNIER'S PARIS OPERA AND THE RENAISSANCE OF CLASSICISM IN NINETEENTH-CENTURY FRENCH ARCHITECTURE (BEAUX-ARTS) ...
repository.upenn.edu/ dissertations/ AAI8614837/