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How We Recognize Beauty
Perceiving Lines Shapes Forms and Depth
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animal artist basic Bauhaus beauty become begin blue clay color color blindness color wheel combinations complete color contrast Courtesy creatures dark direction discover draw earth elements experience express eye move feel geometric gestures give gradation gray green Guatemala hands harmony hues human idea images imagination important intensity invented keep kind Kutztown State College light lines Lititz living look Magenta materials means medium ment mind mounted fox movement Munsell nature forms neutral object ourselves outer paint perception person perspective Philadelphia physical plant practice Prang primaries primitive principle purple purpose Result on Stage rhythm rhythmic sensations sense shapes silhouette simple skill society Source Filter space spiral structure suggest surface symbols tend textures things thinking tion tones touch tree understand unify University Museum University of Pennsylvania urge vanishing points vision visual arts Visual Perception whole wood yellow