The Returns of Alwin Nikolais: Bodies, Boundaries and the Dance Canon
Claudia Gitelman, Randy Martin
Wesleyan University Press, Jun 4, 2007 - Biography & Autobiography - 296 pages
A groundbreaking choreographer, lighting designer, composer, and costumer, Alwin Nikolais (1910-1993) is recognized as one of the twentieth century's most innovative artists. Incorporating novel technological and performance tactics, he invented a total language of non-literal dance theater that attracted audiences worldwide for over forty years. The Returns of Alwin Nikolais is the first book devoted to a critical analysis of Nikolais's work, and it provides a broad and important overview of his artistic and philosophical trajectory. The volume brings together essays by scholars of dance history, theater studies, music, and art history, and includes primary materials such as reviews, diary excerpts, and photographs. It is a valuable resource for teachers and students of art and culture.
Contributors: PHILIP AUSLANDER, HERBERT BLAU, JANA FEINMAN, MARK FRANKO, BOB GILMORE, CLAUDIA GITELMAN, YVONNE HARDT, REBEKAH KOWAL, RANDY MARTIN, NAIMA PREVOTS, AND MARCIA SIEGEL.
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Sense Your Mass Increasing with Your Velocity
The Omniloquence of Alwin Nikolais
Alwin NikolaisDancing Across Borders
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abstract aesthetic Alan Hovhaness Alwin Nikolais Alwin Nikolais Commissioned American Dance Festival artists Arts Center audience Auditorium Balanchine ballet Bauhaus canon choreographic City Center Theater collaboration College color composition contemporary costumes created critical cultural Dance Company dance studies dance technique dancers decentralization dehumanization electronic emotional essay film formal France Nov German Gladys Bailin Globolinks Greenberg Hanya Holm Hartford Henry Street Playhouse idea illusion images improvisation July June Laban light look Mary Wigman Masks ment Middletown modern dance modern-dance modernist motion move movement Murray Louis Niko Nikolais Dance Nikolais's Nikolais/Louis Foundation objects Oskar Schlemmer painting pedagogy percussion Performing Arts Phyllis Lamhut piece play political premiered projections Props Schlemmer School score Sept shape solo Somniloquy sound space stage Steve Allen Show synthesizer tape Teatro Municipal Theatre theatrical tion venue not given visual Wesleyan University Press York City Music