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A. K. Coomaraswamy absolute absolute music achieve addition aesthetic experience Alan Watts anaesthesia argument artistic aspects audience autonomous Beatles become Beethoven certainly Chapter Communication Theory competitive integrity composer context conventions course creative criticism culture describe differentiation discussion drama drug effect emotional environment example exist explain expression fact feeling formal frame functional consciousness fundamental harmonic hippies idea important individual information theory instance involvement Joni Mitchell kind Langer language least living manifestations Marshall McLuhan McLuhan meaning meaningful medium melodrama metaphor Meyer motion movement Mozart nature necessary Opus ordinarily participants particularly perception philosophy physical piece play political possible power elite problem pseudo-events psychedelic psychedelic drugs question realization reason relationship result role roller derby rondo sense Simon & Garfunkel simply sonatas specific structure style stylistic Susanne Langer television theater things tonal traditional true understand understood words