This bridge called my back: writings by radical women of color

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Kitchen Table, Women of Color Press, 1983 - Literary Collections - 261 pages
17 Reviews
This groundbreaking collection reflects an uncompromised definition of feminism by women of color. 65,000 copies in print.

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Review: This Bridge Called My Back: Writings by Radical Women of Color

User Review  - Alyshia - Goodreads

It's sad to say that it's taken me 24 years to deeply connect with a book. This book feels like a war has been started inside of me. It will be painful, uncomfortable, holistic, beautiful. This was my ... Read full review

Review: This Bridge Called My Back: Writings by Radical Women of Color

User Review  - Aleida M. - Goodreads

describing anything using the phrase "life changing" is not common for me. i can appreciate things, and notice their impact on my life and appreciate that, but i have never felt overwhelmingly changed ... Read full review

Contents

Was Growing Up
7
IAmWhatlAm
14
Entering the Lives of Others
21
Copyright

2 other sections not shown

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About the author (1983)

Moraga is Artist-in-Residence at Stanford University.

A native of the Southwest, Anzaldua is a Chicana lesbian feminist theorist, creative writer, editor, and activist. She has taught Chicano studies, feminist studies, and writing at a number of universities. In addition, she has conducted writing workshops around the world and has been a contributing editor for the feminist literary journal Sinister Wisdom since 1984. She has also been active in the migrant farm workers movement. Anzaldua first came to critical attention with an anthology she coedited with Cherrie Moraga, another Chicana lesbian feminist theorist and writer. Titled This Bridge Called My Back: Writings by Radical Women of Color (1981), the anthology includes poetry, fiction, autobiographical writing, criticism, and theory by Chicana, African American, Asian American, and Native American women who advocate change in academia and the culture at large. Anzaldua is well known for her second book, Borderlands/La Frontera (1987). It combines prose and poetry, history, autobiography, and criticism in Spanish, English, as well as Tex-Mex and Nahautl. Its purpose is to interrogate and deconstruct sexual, psychological, and spiritual borderlands as well as the United States-Mexican border. In 1990 Many Faces/Making Souls was published. Anzaldua currently resides in Santa Cruz, California.

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