Search Images Maps Play YouTube News Gmail Drive More »
My library | Help | Advanced Book Search | Web History | Sign in

Books

This bridge called my back:

writings by radical women of color
Front Cover
48 Reviews
Kitchen Table, Women of Color Press, 1983 - Literary Collections - 261 pages
This groundbreaking collection reflects an uncompromised definition of feminism by women of color. 65,000 copies in print.

From inside the book

What people are saying - Write a review

User ratings

5 stars
29
4 stars
16
3 stars
2
2 stars
0
1 star
0

A Powerful writing by women of color - Goodreads
Very educational and enlightening. - Goodreads
Oh, and the prose is beautiful too. - Goodreads

Review: This Bridge Called My Back

User Review  - Rowena - Goodreads

Without getting too personal, I have to admit I grew up with identity issues.I guess most women of colour living in the West do have such moments, especially seeing as how we are under-represented in ... Read full review

Review: This Bridge Called My Back

User Review  - Tombom P - Goodreads

For some reason I went into this thinking it was some sort of feminist manifesto, but it's an anthology of experiences of women of color, told through essays, poetry, biography and only sometimes ... Read full review

All 48 reviews »

Related books

Contents

Was Growing Up
7
IAmWhatlAm
14
Entering the Lives of Others
21
Copyright

2 other sections not shown

Common terms and phrases

References to this book

From Google Scholar

Ethnocentrism And Socialist-feminist Theory
Michèle Barrett, Mary Mcintosh
The Development of Chicana Feminist Discourse, 1970-1980
Alma M Garcia - 1989 - Gender and Society
Qualitative Inquiry
Tami Spry - 2001 - Qualitative Inquiry
The Importance of Authenticity for Self and Society
Rebecca J Erickson - 1995 - Symbolic Interaction
All Scholar search results »

About the author (1983)

Moraga is Artist-in-Residence at Stanford University.

A native of the Southwest, Anzaldua is a Chicana lesbian feminist theorist, creative writer, editor, and activist. She has taught Chicano studies, feminist studies, and writing at a number of universities. In addition, she has conducted writing workshops around the world and has been a contributing editor for the feminist literary journal Sinister Wisdom since 1984. She has also been active in the migrant farm workers movement. Anzaldua first came to critical attention with an anthology she coedited with Cherrie Moraga, another Chicana lesbian feminist theorist and writer. Titled This Bridge Called My Back: Writings by Radical Women of Color (1981), the anthology includes poetry, fiction, autobiographical writing, criticism, and theory by Chicana, African American, Asian American, and Native American women who advocate change in academia and the culture at large. Anzaldua is well known for her second book, Borderlands/La Frontera (1987). It combines prose and poetry, history, autobiography, and criticism in Spanish, English, as well as Tex-Mex and Nahautl. Its purpose is to interrogate and deconstruct sexual, psychological, and spiritual borderlands as well as the United States-Mexican border. In 1990 Many Faces/Making Souls was published. Anzaldua currently resides in Santa Cruz, California.

Bibliographic information