 |
|
What people are saying - Write a reviewWe haven't found any reviews in the usual places. Related books
Other editions - View allCommon terms and phrasesaccretion added aksara amga amphibrach Apabhramsa appears attested BrBh caesura caurasi chapa collocation colophon commentary commentators conceit construction context couplet derive Dhar Dhar.'s discussed emended example folio followed gana gloss half-line hari Haridasa Harivarnsa Hindi Hita Harivamsa interpretation jai sri hita jayati juvati kaha karata kavitta keli kho kho kimkini kisora Krsna Lala Lalita Caran Gosvami lover Malara manau mano manu manuscripts masc matras mdtrds Metre metrical mohana MSS jai sri mudita mula nahi nija occurs omitted pada participles pddas phalasruti phrase piya postposition prana Prem priya Radha Radhavallabhi raga ramga rasa Rasik ravana rdga reading reference rhyme sakhi Sanskrit sasi scansion second pada sectarian sense sequence Sevaka sitala slokas sravana stanza sung syama syllable tala tana tatsama teka tika tilaka usage Vrindaban Popular passagesPage 29 - Gospel these sensuous ravings of a morbid imagination, are for the most part highly respectable married men, who contrast rather favourably, both in sobriety of life and intellectual acquirements, with the professors of rival sects that are based on more reputable authorities. Page 20 - Mahavira was born on the 13th day of the bright half of the month of Chaitra in the year 599 BC His father Siddhartha, King of the Kundapura of the Jnatr clan in VaiSali. Page 201 - ... mouth, shaped in fact like a flowerpot ; the mouth is closed with parchment or skin, and the instrument is held under the left arm, and drummed on with the right hand. " (Baden Powell.) Nyastaranga. — The Nyastaranga, a trumpet-shaped instrument, has to be placed upon the vocal chords, sounds from which produce by vibration a clear reedy note upon the instrument. It is believed that an instrument of this description is scarcely to be met with in any other part of the world than India. It is... Page 3 - Vaisnava catuhsampradäya, nor does it specifically profess any one of the major philosophical positions of classical Hinduism. Its claim to autonomy as a sampradaya in its own right rests on its following a particular mode or style of bhakti, and in the maintaining of distinct lines of authority descending from Hita Harivamsa himself. Page 3 - Krsna mythology, regarded as inferior as a source of rasa since its diversity is detrimental to the experiencing of single-minded absorption (ananya bhäva) in the sport of the joint deity. Page 294 - In the performance of CP 27 there is no precise correlation between syllable length and musical beat, although there is a tendency for long syllables to be sustained over more beats than short ones. Two successive... Page 288 - IV together), while sama lines are sung as two units (III and IV together, V and I together). This may be explained by the melodic construction of I and II, both of which begin and end on the tonic sä (albeit an octave apart in I), and are therefore more self-contained than the remaining sections. Bibliographic information
|
