For a director who has made only four feature films over three decades, Terrence Malick has sustained an extraordinary critical reputation as one of Americaís most original and independent filmmakers. In this book, Lloyd Michaels analyzes each of Malickís four features in depth, emphasizing both repetitive formal techniques such as voiceover and long lens cinematography as well as recurrent themes drawn from the directorís academic training in modern philosophy and American literature. Michaels explores Malickís synthesis of the romance of mythic American experience and the aesthetics of European art film. He performs close cinematic analysis of paradigmatic moments in Malickís films: the billboard sequence in Badlands, the opening credits in Days of Heaven, the philosophical colloquies between Witt and Welsh in The Thin Red Line, and the epilogue in The New World. This richly detailed study also includes the only two published interviews with Malick, both in 1975 following the release of his first feature film.
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Review: Terrence MalickUser Review - Goodreads
Hubert Dreyfus's contribution makes this a vital read to understand the concept of "world" in Malick's The Thin Red Line.
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Abby actors Almendros American artistic audience auteur Badlands beauty become begins Bellís Billís billboard Biskind Bonnie and Clyde camera Captain characters cinematography classical close-up Colin Farrell contemporary coupleís credits critical cultural Days of Heaven depicts described dialogue diegesis director dream Emersonís Emmanuel Lubezki epic expression Farmer feel filmís filmmaking forest four films historical Holly Hollyís voiceover Hollywood Huck images Jack Fisk James Japanese John Jonesís novel Kitís landscape Linda Linda Manz long shot lyrical Malickís cinema Malickís film Martin Sheen monologue montage movie myth narrative native nature never opening Paradise Pennís Pocahontas Pocahontasís princess Private Witt producers protagonists questions reflect remains reviewers rich manís house role Rolfe romantic Runaway Saving Private Ryan scenes screenplay script seems sense sequence shooting Smith soldiers Spielbergís story suggest Terrence Malick Texas thematic theme thereís Thin Red Line violence vision visual voiceover Warren Oates Welsh whatís Wittís World