Shakespeare has never been more ubiquitous, not only on the stage and in academic writing, but in film, video and the populuar press. On television, he advertises everything from cars to fast food; his imagined love life was declared the best movie of 1998; his birthplace, the tiny Warwickshire village of Stratford-Upon-Avon, has been transformed into a theme park of staggering commercialism, and the New globe, in its second season, is already a far bigger business than the old Globe could have ever hoped to be. If popular culture cannot do without Shakespeare, continually reinventing him and reimaging his drama and his life, neither can the critical and scholarly world, for which Shakespeare has, for more than two centuries, served as the central text for analysis and explication, the foundation of the western literary cannon, and the measure of literary excellence.
The canonical Shakespeare is a product of publication, commentary, editorial intervention, elucidation, and criticism. The essays collected in these volumes reveal is fully as multifarious as the Shakespeare of theme parks, movies and television, and indeed, is part of the continuing reinvention of Shakespeare. The essays are drawn for the most part from work done in the past three decades, though a few essential, enabling essays from an earlier period have been included; and they not only chart the directions taken by Shakespeare studies in the recent past, but they serve to indicate the enormous and continuing vitality of the enterprise, and the extent to which Shakespeare has become a metonym for literary and artistic endeavor generally.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Thresholds to Memory and Commodity in Shakespeares Endings
Reading Lists of Plays Early Modern Modernist Postmodern
Shakespeare as Fetish
The Temporality of Rape
Postal Effects from Richard II to Henry IV
Dismembering and Forgetting in Titus Andronicus
The Mechanical Reproduction of Pages
Falstaff and the Perils of SpeechPrefixity
actor argue audience ballads beginning body character chiastic Collatine Collatine's Comedy context critics cultural desire discourse early modern Eliot Elizabethan English essay example Falstaff female fetish fiction figure Folger Shakespeare Library gender gift economy Greenblatt grotesque body Hal's hand Harry Henriad Henry Henry IV Holinshed Hotspur ideological imaginative interpretive Jacques Lacan king King Lear king's Lacan language Lavinia Leontes letter linguistic literary London Lucrece's male maternal means memory metaphor modernist narrative object performance play's poem poem's political Press Prince psychoanalytic Rape of Lucrece reading relation Renaissance Renaissance Drama representation represents reproduction rhetorical Richard role scene script sexual Shakespeare Shakespeare's plays social soliloquy spatiotemporal speak stage stanza Stephen Greenblatt story structure suggests symbolic Tarquin Temporality of Rape textual theater theatrical thee thou tion Titus Andronicus Titus's tradition trans Univ Winter's Tale words writing York