The Accidental Masterpiece: On The Art Of Life And Vice Versa
The chief art critic for The New York Times on the creative impulse that emerges in all of us when we realize that the art of making art starts with the art of living.
Michael Kimmelman, the prominent New York Times writer and a regular contributor to The New York Review of Books, is known as a deep and graceful writer across the disciplines of art and music and also as a pianist who understands something about the artist's sensibility from the inside. Readers have come to expect him not only to fill in their knowledge about art but also to inspire them to think about connections between art and the larger world--which is to say, to think more like an artist. Kimmelman's many years of contemplating and writing about art have brought him to this wise, wide-ranging, and long-awaited book.
It explores art as life's great passion, revealing what we can learn of life through pictures and sculptures and the people who make them. It assures us that art--points of contact with the exceptional that are linked straight to the heart--can be found almost anywhere and everywhere if only our eyes are opened enough to recognize it. Kimmelman regards art, like all serious human endeavors, as a passage through which a larger view of life may come more clearly into focus. His book is a kind of adventure or journey.
It carries the message that many of us may not yet have learned how to recognize the art in our own lives. To do so is something of an art itself. A few of the characters Kimmelman describes, like Bonnard and Chardin, are great artists. But others are explorers and obscure obsessives, paint-by-numbers enthusiasts, amateur shutterbugs, and collectors of strange odds and ends. Yet others, like Charlotte Solomon, a girl whom no one considered much of an artist but who secretly created a masterpiece about the world before her death in Auschwitz, have reserved spots for themselves in history, or not, with a single work that encapsulates a whole life.
Kimmelman reminds us of the Wunderkammer, the cabinet of wonders--the rage in seventeenth-century Europe and a metaphor for the art of life. Each drawer of the cabinet promises something curious and exotic, instructive and beautiful, the cabinet being a kind of ideal, self-contained universe that makes order out of the chaos of the world. The Accidental Masterpiece is a kind of literary Wunderkammer, filled with lively surprises and philosophical musings. It will inspire readers to imagine their own personal cabinet of wonders.
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Review: The Accidental Masterpiece: On the Art of Life and Vice VersaUser Review - Gette - Goodreads
Brilliant and original through and through. Full of zany biographical info on artists and collectors and museums of all kinds. This man genuinely connects the dots in a most engaging way. Read full review
Review: The Accidental Masterpiece: On the Art of Life and Vice VersaUser Review - Art - Goodreads
A fun read. Michael Kimmelman offers ten essays here that explore people who get lost in the details and routine of their lives. Their attention to detail elevates their work to something artful ... Read full review
Learning by Heart: Teaching to Free the Creative Spirit
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No preview available - 2008
THE ART OF MAKING A WORLD
THE ART OF BEING ARTLESS
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What do people want from art? - By Michael Kimmelman and Stephen ...
He is the author of The Accidental Masterpiece: On the Art of Life and Vice Versa. Stephen Metcalf is a Slate critic and lives in Brooklyn. ...
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The Accidental Masterpiece: On the Art of Life and Vice Versa Michael Kimmelman is regarded by many as the most influential art critic writing today. ...
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The Accidental Masterpiece: On the Art of Life and Vice Versa by Michael Kimmelman. September 22, 2005: On Hanging *. Art and the Power of Placement by ...
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