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acting activities actors and teachers Adaptations Specific objectives audience aware become Bel Kaufman Bitzer body gestures facial character Charles Dickens Charles Marowitz classroom Clifford Hill concentrate course Creative Dramatics dance develop effective emotional energy exercises experience expressions voice rhythm eyes facial expressions voice fact feelings film focus George Steiner gestures facial expressions girl homeroom important improvisation instructor kind knife Konstantin Stanislavski lecture lesson listen look Macbeth Maya Angelou McHabe memorized Method acting Miss Barrett movement pantomime Paperback particular pause performance skills performing arts Peter Werner physical play Professor Pupil recall rehearsal relaxed risks role script Sissy Specific objectives Components stage Stanislavski Stanislavski System suggestopedia talk teachers need teaching as performing technical analysis technique theater There's Thomas Gradgrind tion Tulane Drama Review vocal warm-ups What's words York