Molière and the Age of EnlightenmentThe Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French. |
From inside the book
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Page 20
... same year Le Retour de l'ombre de Molière " , where the great comic poet's role is to forbid the entrance to Thalie's apartments to boring playwrights ; he figures in Gol- doni's Il Moliere ( staged in Turin in 1775 ) , subsequently ...
... same year Le Retour de l'ombre de Molière " , where the great comic poet's role is to forbid the entrance to Thalie's apartments to boring playwrights ; he figures in Gol- doni's Il Moliere ( staged in Turin in 1775 ) , subsequently ...
Page 22
... same year , however , the same journal has already written : ' Le samedi 16 on a remis le Dépit amoureux qui n'avait pas été représenté depuis l'année 1751 . ... Le quatrième acte a produit un effet prodigieux , et la scène de dépit ...
... same year , however , the same journal has already written : ' Le samedi 16 on a remis le Dépit amoureux qui n'avait pas été représenté depuis l'année 1751 . ... Le quatrième acte a produit un effet prodigieux , et la scène de dépit ...
Page 23
... same month . In order to establish how many people actually attended various performances , Lancaster has gathered data on the recettes collected daily by the Comédie française from 1701 to 1774 . These figures are , however , difficult ...
... same month . In order to establish how many people actually attended various performances , Lancaster has gathered data on the recettes collected daily by the Comédie française from 1701 to 1774 . These figures are , however , difficult ...
Contents
Introduction II | 11 |
Molière and the eighteenth century public | 17 |
General trends in Molière criticism in the first | 35 |
Copyright | |
6 other sections not shown
Common terms and phrases
admiration Alceste assez auteurs authors autres Avare Beaumarchais bien Boileau c'est Cailhava caractère characters Comédie française comédie larmoyante comédiens comedy comic poet comique contre Corneille criticism Cubières d'une dénouements Destouches deux Dictionnaire Diderot dramatique drame eighteenth century Encyclopédie été être faire fait farces faut Femmes savantes française French Fréron genre George Dandin goût grand homme Grimm Harpe homme de génie honnête j'ai jamais jours l'art l'auteur L'Avare L'Ecole des femmes l'on larmoyante Le Malade imaginaire Le Misanthrope le Tartuffe Les Femmes savantes Lettre à d'Alembert Louis XIV Marmontel Médecin Mercier mérite mieux Misanthrope mœurs Molière Molière's plays monde moral n'est naturel nouvelle ouvrages Palissot Paris peintre peut philosophes pièces Piron playwright poète preface qu'il qu'on qu'un quoted Racine Régnard rendre ridicule rien rire Rousseau s'il scène seul siècle stage sujet Tartuffe temps Térence théâtre tout traits vérité vertu vice Voltaire Voltaire's vrai writes