Shooting People: Adventures in Reality TV

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Verso, 2003 - Performing Arts - 184 pages
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In the late 1990s the television landscape underwent a seismic change as the reality game shows Big Brother and Survivor won unprecedented audiences across Europe and the US. Subjecting their contestants to protracted seclusion from the outside world, the shows offered up a novel combination of mundanity and extremity, and bred a host of imitations which ranged from the absurdly inept to the outright sadistic.

Shooting People explores the emergence of the form, its relation to documentary and its significance in a globalized TV industry. Sam Brenton and Reuben Cohen draw parallels between some of the methods employed to control contestants and techniques of incarceration and psychological interrogation, and expose the nefarious influence of psychologists and psychotherapists in the business of reality TV. This 'ultimate form of light entertainment' is also shown to be a perfect propaganda vehicle for an anti-political culture in which, in the absence of grand narratives, the personal focus, the detritus of selfhood, has become seen as the only story worth telling.
  

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Shooting People: Adventures in Reality TV

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In their fervent analysis of shows like Survivor and Big Brother, poet Brenton and former production assistant Cohen trace reality TV's roots--in the documentary, a medium meant to uncover injustices ... Read full review

Contents

Gameworlds
1
Forerunners
12
Format Wars
44
Stanford
81
The Shrinks
91
Frames of Mind
108
The People Lab
145
Real Politics
165
Index
179
Copyright

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About the author (2003)

Sam Brenton lives and works in London. He has written several collections of poems, including The Honky's Guide to Wet Dreams and Telephone Voices.

Reuben Cohen has been a researcher and production assistant on a number of documentaries and feature films. He is working on his first novel.

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