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PART ONE 18821913
The Mantle of Chopin
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artistic ballet Bartok bass bitonality characteristic Chopin choral chord chromatic climax close colour completed composer's Concertante Conservatory Cracow cycle dance Debussy dissonant dominant dominant-quality earlier early Elisavetgrad expression fantasy final Fitelberg folkloristic fugue German Goral Hafiz Hagith harmonic area harmonic language Harnasie impressionist influence Iwaszkiewicz Karol Szymanowski Karola Szymanowskiego King Roger Kochariski later lyrical major major seconds material mazurka melody Metopes Miciriski middle section middle-period music minor modal motive movement Muezzin musical language open fifths opening bars opera orchestral ostinato parallel parallel major patterns pedal points pentatonic piece poem Polish composers Polish music prelude Quartet Ravel rhythm rhythmic Rubinstein Russian second subject Second Symphony setting seventh Skamander Skryabin Slopiewnie soloist song Spiess Stravinsky strong style stylistic stylizations suggested Szymanowski's music Tatra textures thematic theme Third Piano Sonata Third Symphony tonal tonic traditional triad triadic tritone Tymoszowka variations Violin Concerto vocal line Warsaw whole-tone Young Poland Zakopane Zofia