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two John Simon Uneasy Stages and Singularities
four H L Mencken The New Mencken Letters
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achievement actors advocacy American theatre artist arts and humanities audience Ballet Beaumont believe Berman Biddle Broadway called Calvin career character classical commercial contemporary creative creon criticism culture director drama Duffey example fact federal film friends funds groups guilt Ibsen identify imagination institutions Joseph Papp kind Lincoln Center look Mencken ment Miss Kael's movie Nancy Nancy Wickwire National Endowment never nonprofit theatres Norma oedipus Opera Papp Peer Peer Gynt Pell performing arts Peter Peter's room play playwrights political popular President production question reason recent remake resident theatre responsibility seems Shakespeare social stage Styron Susan T. S. Eliot talent television Tennessee Williams theatrical thing thought tion told trying turned Vineyard voice W. B. Yeats W. C. Fields Williams Windham writing Yale Repertory Theatre York York City Ballet