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Other editions - View allCommon terms and phrasesA. C. Swinburne A. H. Bullen acted antimasque Arcadia authorship Beaumont and Fletcher Brome Bullen Cambridge Chapman character Chettle Chron chronicle chronicle play classical Collier comedy of manners contemporary court Daniel Davenant Dekker Dodsley dramatist Duke Earl earlier edited Elizabeth Elizabethan English Entertainment F. G. Fleay Fleay Fletcherian Folio Ford Greg Henry Henslowe heroic Heywood Honor humor Ibid influence Inigo Jones intrigue Italian Jahrbuch John Jonson King Charles King James King's Koeppel Lady later Latin less London Love's lover Lyly Maid Maid's Tragedy Marlowe masque Massinger Massinger's mentioned Middleton moral noble Old Plays Oxford pastoral drama personages plot poet poetry popular Prince Princess printed Queen reign reprinted Revels Revenge romantic Rowley royal satire scene Sejanus Seneca Shakespeare Shepherd Shepherdess Shirley Shirley's Spanish stage story Thomas tion Trag tragedy tragic tragicomedy translation verse vols W. W. Greg Ward William Rowley Popular passagesPage 24 - I would inform you, that this book, in all numbers, is not the same with that which was acted on the public stage; wherein a second pen •' had good share: in place of which, I have rather chosen to put weaker, and, no doubt, less pleasing, of mine own, than to defraud so happy a genius of his right by my loathed usurpation. Page 266 - Inn was the last, some recent humours still, or manners of men, that went along with the times; finding himself now near the close, or shutting up of his circle, hath fancied to himself, in idea, this Magnetic Mistress... Page 383 - Of the rarest wits, was never more than Frank. Mellifluous SHAKSPEARE, whose inchanting quill Commanded mirth or passion, was but WILL ; And famous Jonson, though his learned pen Be dipt in Castaly, is still but Ben. Page 382 - Fletcher ; and lastly (without wrong last to be named), the right happy and copious industry of Master Shakespeare, Master Dekker, and Master Heywood... Page 55 - Cheke, he, and I, for that part of true Imitation, had many pleasant talks together, in comparing the precepts of Aristotle, and Horace de Arte Poetica with the examples of Euripides, Sophocles, and Seneca. Page 72 - was built close to the upper end of the hall, as it seemed at the first sight : but indeed it was but a false wall faire painted, and adorned with stately pillars, which pillars would turn about ; by reason whereof, with the help of other painted clothes, their stage did vary three times in the acting of one tragedy... Page 291 - In the play of The Ball, written by Sherley, and acted by the Queens players, ther were divers personated so naturally, both of lords and others of the court, that I took it ill... Page 64 - Here they did behold themselves in their own best clothes (which the scholars had borrowed) so lively personated, their habits, gestures, language, lieger.jests, and expressions, that it was hard to decide, which was the true townsman, whether he that sat by, or he who acted on the stage. Sit still they could not for chafing, go out they could not for crowding, but impatiently patient were fain to attend till dismissed at the end of the comedy. Page 79 - ... when in the colleges so many of the young divines, and those in next aptitude to divinity, have been seen so often upon the stage, writhing and unboning their clergy limbs to all the antic and dishonest gestures of... Page 382 - The no 15 lesse worthy composures of the both worthily excellent Maister Beamont & Maister Fletcher : And lastly (without wrong last to be named) the right happy and copious industry of M. Shake-speare, M. Decker, & M. References from web pagesElizabethan Drama, 1558-1642: A History of the Drama in England ... Schelling. "The English Masque." Bibliographic information |