Contents
INTRODUCTION | xxxvii |
Creative Urge and Personality Development | 3 |
Life and Creation | 37 |
Copyright | |
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abstract abstract art achievement actual ęsthetic already ancient animal appears art-forms art-ideology artist-type artistic creation becomes body bronze age chapter Christianity chthonian Classical collective ideology conception concrete conflict connexion cosmic crea create Crete cultural Danzel dead death dualism dynamic earth earthly Egyptian epic essential Etruscan experience explain expression fact fame fear genius Goethe Greece Greek hand heaven hero human idea ideoplastic imitation immortality individual influence interpretation language later Leipzig living macrocosmic magic material means ment metaphor Michelangelo mortality mythical myths nature navel neurosis neurotic Omphalos originally ornament particular Petit Morin Plato play poet poetic poetry primitive art problem production psycho-analysis psychological purely rebirth regarded relation religion religious represents sacrifice Seelenglaube seems self-creative sense sexual significance social soul spiritual stage Sturm und Drang style symbol tendency tion tive tradition underworld vidual whole words world-picture