Modern Dance |
Contents
Introduction to the Modern Dance | xi |
HARALD KREUTZBERG | 29 |
The Development of the American Dance | 45 |
Copyright | |
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accent achieved aesthetic American dancer art-form artistic ballet technique became become beginning Bel Canto bodily body characteristic CHARLES WEIDMAN choreographer Cleveland Orchestra complete concept consciousness create creation creative dance composition dance forms dance in America dance music dance-form Dances of Women Denishawn School direction distortion DORIS HUMPHREY dramatic Dresden elements emotional European existence experience feeling force fusion German dance gesture group dance HANYA HOLM HARALD KREUTZBERG harmony human voice important impulses individual instrument ISADORA DUNCAN machine MARTHA GRAHAM MARY WIGMAN means melody method MISS HUMPHREY modern dance motion moving musical forms natural movement Neighborhood Playhouse Opera Orchestra Oriental dance PALUCCA pantomime pedagogical produced realized recitals relationship result rhythm rhythmic romantic RUTH ST sense Shifting Landscape significant solo dancer solo dancing soul spectator stage style Symphony teacher tension theme theory Totenmal toured traditional vision whole Wigman School YVONNE GEORGI