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Chapter Page Prelude
Memory and Memories
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aesthetic appeared Arnold Haskell artistic audience ballerinas ballet companies ballet-lovers balletomanes ballets-russes become believe brilliant chapter child childhood choreographer composer conception conscious course creation critics dance Diaghilev Ballet Diaghilev company Diaghilev legend doubt emotions example exciting experience expression fact Fokine Fokine's genius Giselle human ideas Imperial Ballet Imperial Russia Imperial Schools important individual inspired judgement Karsavina kind later legacy living long ballet look magic male dancer Margot Fonteyn Maryinsky Theatre means Melvin memory ment mind modern ballet Moira Shearer never Nijinsky oral original passion past performance perhaps Petrouchka play possible present Prince Igor principle produced repressed revival Rose Russian Sadler's seems seen significance Spectre spirit stage story survive Svetlana Beriosova Swan Lake theatre things thought tion tradition true ballet truth unconscious unity whole word York City Ballet Yvette Chauvire