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Gharanas and their Ways of Voice Production
Bandeesh and the Laws of Form
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7EPE Abdul Karim Khan achieved acquired aesthetic Agra gharana alapi Alladiya Khan Amir Khan artists audiences avartana Bade Gulamali Balkrishnabuwa bandeesh beats Bhaskarbuwa Bakhale Bhimsen Joshi bol-tan chapter cheej classical music conception criticism cycle Dadra Darbari Deodhar dhrupad different gharanas disciple discussion distinctive EALP EBLP 1751 MOAE ECLP effect element emotional fact Faiyaz Khan fast tempo gamak Gulamali Khan guru Gwalior gharana heighten Hindustani music Hirabai Badodekar Hussein Khan Indian music Indore intonation Jaipur Jaipur style kans Kesarbai Khan's Khansaheb khyal kind of music Kirana Kirana singers lavni listener literary manner melody MOAE 5004 EBLP Mogubai Kurdikar musical art musicians Naththan Khan natural octave one's Pandit Patiala patterns phrases principle produce recital rhythm-play Saraswati Rane Savai Gandharva singing slow tempo stage music sung swara and laya tans tension thumri tonal tradition upaj Vahid Khan Vamanrao various gharanas Vazebuwa Vilayat Hussein voice-production word