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CHOOSING THE RIGHT APPARATUS
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1j1oth sec angle Architect architectural feature architectural photography architectural subject baseboard beauty bright bromide building cathedral church colour filter composition correct exposure correct lens course dark-room Decorated period decoration desired distortion doorways Early English effect emulsion ensure essential example exterior film focal length focusing screen foreground Giles Gilbert Scott glass Goerz Dagor Gradation Panchromatic plate halation high-lights Humphrey Hydroquinone Ilford Soft Gradation interest interior photography Joel FIG Joseph Emberton lens lenses light and shade long-focus means method Metol necessary negative normal normal lens Norman architecture obtained Oliver Hill period photography of architecture pictorialist picture position possible Potassium Bromide produce quarter plate result roof roof bosses Sanderson whole plate shadow detail Sodium Carbonate Sodium Sulphite cryst Soft Gradation Panchromatic style Summer sunlight taken Tessar texture tilting tripod upright usually viewpoint Westwood FIG wide-angle wide-angle lens worker Zeiss Zeiss Tessar