Breaking the Frame: Metalepsis and the Construction of the Subject
This cutting-edge work of narrative theory examines how metalepsis--the transgression of the boundaries between narrative levels--has been used to construct the postmodern narrative subject. Concentrating on the writings of Samuel Beckett, Christine Brooke-Rose, and Angela Carter, Malina both interprets the narrative strategies of these authors and offers a new theoretical tool--a deconstructive approach to narratological categories that allows readers to focus on process rather than structures. This volume abstracts a model of metaleptic subject construction that has significant implications for narrative theory: rather than viewing narrative as static product, the deconstructive narratology it launches would accommodate narrative's bi-directional or cyclical dynamics and elaborate the energetics of the narrative process. While constructing this new approach, Malina also offers sensitive and insightful readings of the texts at hand, making this book a combination of theory and interpretation of narrative and thus a fine addition to a narrative collection.
11 pages matching undermine in this book
Results 1-3 of 11
What people are saying - Write a review
We haven't found any reviews in the usual places.
acrostics Albertina alepsis ambiguity Angela Carter argues Armel Beckett's subject Beckettian become Benjamin binary body body writing boundaries Brooke-Rose characters Christine Brooke-Rose creatures deconstruction depth-model destabilization diegesis diegetic reader diegetic-level discourse effect emphases escape existence experience extradiegetic extratextual reader fantasy feminine feminism feminist Fewers fiction focalizor frame gender Ghislaine Hackett hierarchy Honeybuzzard hypodiegetic identity insofar intellectual invention Judith Butler language Larissa Lauretis levels of readers Lynches Magic Toyshop masculine masochist metalepsis metaleptic metanarratives metaphor narrative levels narrative's narratology narrator novel oscillation pain patriarchal perhaps political postmodern protagonist puppet rape rative reading reality repetition rhetorical Rimmon-Kenan role sadist Samuel Beckett script seems sense sexual simultaneously status story strategies subject construction Swim-Two-Birds tattoo Teresa de Lauretis Thru tion torture transformative Trellis Tristessa Ukayan ultimately undermine Unnamable Unnamable's victim violation violence Watt Watt's woman words Worstward writing