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amateur Amen Corner application to binding applied artistic crafts associated atelier Belluno Bibliomania binders Birdsall book covers bookbinding books bound British Museum Carayon character Chipping Campden clients cloth Cobden-Sanderson Cockerell collectors colour connexion Coverly craftsman cuir Cuzin decorative arts doublures drawings eccentricity effect embossed employed enamel England excellent executed exhibitions Fazakerly finisher flyleaf France FRENCH BINDING Galliera Gascon give Grolier Gruel Guild hand Harry Wood Henri Marius Michel houses ideals illustrated imitation important impression incised inlays interest invention large number limited lines lived constituted livres material matter ment mentioned Mercier Messrs MODERN ENGLISH BINDING morocco Museum nature number of books ordinary originality ornament Oxford panel paper Paris past pattern Press printer printing production reliure reproduction revived Roger Payne Sangorski small number social democracy stamps style success taste Thomas Berthelet tion trade traditions Trautz vellum William Morris workman workshop Zaehnsdorf
Page 14 - must know what to leave out as well as what to put in ; if
Page 28 - making drawings on the vellum which are not liable to be defaced
Page 109 - bound in smooth, red cloth, with a paper label. The publishers' names are Lackington, Hughes, Harding and Lepard, and the date on the title-page is 1822.
Page 109 - the white calico was bought in London, sent to the dyers to be dyed, and
Page 110 - The desired pattern was engraved on a gun-metal cylinder, and transferred in reverse to one made of compressed paper,