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Music in America
Edward A MacDowell
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Aaron Copland abrupt aesthetic Amer American music Arthur Foote artist Bach beat Beethoven Brahms CARL RUGGLES characteristic Charles Martin Loeffler choral chords clarinet composer compositions concerto Copland d'Indy Dane Rudhyar developed eclectic eclecticism expression fact feeling folksong force Four Suns fugues grandiose harmonic Harris Harris's Henry Cowell Hora Novissima Horatio Parker ideas idiom impulse insky instruments intensity jazz LEO ORNSTEIN Loeffler lyrical MacDowell MacDowell's material medium melodies ment merely metallic modern moods move movement musical art musicians mystic ness never nonetheless opera orchestra original Ornstein Parker passion percussive perhaps perience Petrushka phony piano sonata pieces Poem poly quartet recent rhythmic rhythms Richard Strauss Roger Sessions Roy Harris Rudhyar Ruggles Ruggles's Russian Satie's scarcely scherzo Schoenberg's score Scriabine's songs sonority sound spirit Strauss Strawinsky stream of things strong style symphony theless themes Thomson timbres tion tive tone Varese Varese's violin Virgil Thomson Wagner young