Bakhtin and the Social Moorings of Poetry

Front Cover
Bucknell University Press, 2003 - Literary Criticism - 170 pages
0 Reviews
First and last, what moors poetry to society is speech: the speech that gets into writing. So why do most political readings of literature neglect this fundamental orientation? Mikhail Bakhtin never forgets the central role of utterance: his philosophy of literary dialogism is based on the idea of fighting out social issues on the ground of the spoken word. Accordingly, conflict-in-language is the theme of this book's introduction as if it is of the whole volume. In this book, Donald Wesling offers an organized reading of Bakhtin's thought, to achieve an account of why Bakhtin scamped poetry; and an account of how a poetics of utterance is a major achievemnt, if we employ in the dialogic reading of poetry many of the powerful terms Bakhtin developed for the novel. After an Introductory chapter that is polemical and pedagogical, this book contains chapters on the social poetics of dialect writing, on the clash of inner and outer speech, on the problem of rhythm, and on broader conflicts of types of discourse in English Romanticism and in the American 1990s. Examples come from England and Scotland, Russia, and the USA. Traveling with and beyond Bakhtin, this book extends to Anglo-Ame

From inside the book

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Preface
9
Bakhtin and the Social Poetics of Dialect
61
Inner Speech in Basil
77
Copyright

4 other sections not shown

Common terms and phrases

About the author (2003)

Donald Wesling is Professor of Literature at the University of California at San Diego.

Bibliographic information