The New York School: A Cultural ReckoningWith the emergence of Abstract Expressionism after World War II, the attention of the international art world turned from Paris to New York. Dore Ashton captures the vitality of the cultural milieu in which the New York School artists worked and argued and critiqued each other's work from the 1930s to the 1950s. Working from unsifted archives, from contemporary newspapers and books, and from extensive conversations with the men and women who participated in the rise of the New York School, Ashton provides a rich cultural and intellectual history of this period. In examining the complex sources of this important movement--from the WPA program of the 1930s and the influx of European ideas to the recognition in the 1950s of American painting on an international scale--she conveys the concerns of an extraordinary group of artists including Willem de Kooning, Jackson Pollock, Ad Reinhardt, Philip Guston, Barnett Newman, Arshile Gorky, and many others. Rare documentary photographs illustrate Ashton's classic appraisal of the New York School scene. |
Contents
The photograph as social commentary Rudolph Burckhardt | 2 |
Greenwich Villageand Depression | 15 |
Theaterintheround designed by Frederick Kiesler in 1924 | 29 |
Copyright | |
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abstract art abstract expressionist Ad Reinhardt Adolph Gottlieb American art American artists American painters Arshile Gorky attitude avant-garde Barnett Newman Barr Baziotes began Betty Parsons Breton Cézanne circle contemporary courtesy critics cubism Denby Depression discussion early esthetic Europe European exhibition existentialist experience felt forties gallery Gorky's Greenberg Guggenheim Guston Harold Rosenberg Hofmann idea important individual intellectual interest issue Jackson Pollock Kandinsky Kiesler Kooning Kooning's later Lee Krasner literary MacAgy magazine Marxist mass Matisse Matta milieu modern art modern artist modern tradition Mondrian Motherwell movement mural Museum of Modern myth nineteen-thirties painters and sculptors painting Paris Philip Guston Photo Picasso picture poets political primitive problems Reinhardt rhetoric Robert Motherwell Rothko Schapiro sculpture seemed sense Siqueiros social society Stuart Davis studio surrealism surrealist theater theory thirties tion vanguard visual Willem de Kooning writers wrote York artists York School young artists