Mean streets and raging bulls: the legacy of film noir in contemporary American cinema
Classic film noir was Hollywood's "dark cinema" of crime and corruption; a genre underpinned by a tone of existential cynicism which stripped bare the myth of the American Dream and offered a bleak, nightmarish vision of a fragmented society that rhymed with many of the social realities of forties and fifties America. Mean Streets and Raging Bulls explores how, since its apparent demise in the late fifties, the noir genre has been revitalized during the post-studio era. The book is divided into two sections. In the first, the evolution of film noir is contextualized in relation to both American cinema's industrial transformation and the post-Depression history of the United States. In the second, the evolution of neo-noir and its relation to classic film noir is illustrated by detailed reference to representative texts including Chinatown (Roman Polanski, 1974), Night Moves (Arthur Penn, 1975), Taxi Driver (Martin Scorsese, 1976), Blood Simple (Joel and Ethan Coen, 1984), After Hours (Martin Scorsese, 1985), Sea of Love (Harold Becker, 1989), Resevoir Dogs (Quentin Tarantino, 1992), and Romeo is Bleeding (Peter Medak, 1994).
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From Film Noir to Neonoir
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African-American Alain Silver American cinema American Film Noir American society assassination Blood Simple Body Heat Chinatown City classic film noir classic noir classical Hollywood Coen crime culture Dark death detective economic eighties and nineties example False Move femme fatale fiction fifties figure film noir Film Noir Reader film's filmmakers FLASHBACK forties fragmentation Frank Gittes Guncrazy hard-boiled Hollywood renaissance identity investigation Jack Jake John John Dahl killed Klute late sixties London mainstream male protagonist Martin Scorsese masculine Mean Streets Michael Miller's Crossing Mona Moseby motif Movie murder neo-noir Night Moves noir genre noir narrative noir texts nouvelle vague novel paranoia patriarchal corruption Paul Paul Schrader political postmodern production psychological Pulp Quentin Tarantino Raging Bull Reservoir Dogs Richard Robert Robert Siodmak Romeo is Bleeding Schrader Sea of Love seventies neo-noir sexual anxiety social studios stylistic Taxi Driver television thematic tion tradition Travis Travis's viewer violence visual White witness woman York