The Fence in Its Thousandth Year

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Oberon Books, 2005 - Drama - 72 pages
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Howard Barker's tragedy of identity uses the idea of the frontier both actually and metaphorically. A state attempts to define its character by erecting a fence against outsiders, but it is violated both by strangers and by the transgressive appetite of its ruling class. In the fever of its decadence the kingdom is revealed to have at its core a scandal which is itself the consequence of the breaking of sacred boundaries.
Barker's way as a dramatist is always to expose the public crisis through the personal agony of individuals. Photo, the sightless protagonist of this latest work, is the most sophisticated of adolescents, and his blindness is abolished by his acute sensibility. But there is one darkness in his life that cannot be revealed.

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Contents

Section 1
6
Section 2
7
Section 3
15
Copyright

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About the author (2005)

Howard Barker's first play was performed at the Royal Court Theatre Upstairs in 1970. Subsequently, his works were played by the Royal Court, Royal Shakespeare Company, The Open Space Theatre, Sheffield Crucible and the Almeida. He is currently Artistic Director of The Wrestling School, a company established to disseminate his works and develop his theory of production. His work is played extensively in Europe, in translation, in The United States, and in Australia. He writes regularly for radio, both in England and Europe. He is the author of plays for marionettes and has written three librettos for opera. Howard Barker is the author of two works of theory, and five volumes of poetry. He is also a painter. His work is held in national collections in England (V&A, London) and Europe.

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