Looking at movies: an introduction to film

Front Cover
W.W. Norton & Co., 2010 - Performing Arts - 600 pages
6 Reviews
The Third Edition of Looking at Movies is as visually engaging and fun to read as previous editions, and now contains new material on film history, film genre, and cultural contexts, and even more help with film analysis. Supplementary materials, conceived and created by the authors, integrate seamlessly with the text. Two DVDs contain nearly four hours of film clips, frame sequences, short films, and animations to show what the text describes. The Looking at Movies student website provides an abundance of review and ancillary materials, including the Writing About Movies guide. The Looking at Movies package, including the text, DVDs, website, and writing guide, costs less than competing texts alone, making it an outstanding value for students.

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Review: Looking at Movies: An Introduction to Film

User Review  - Zachary Roper - Goodreads

Very thorough, interesting, and clearly explained introduction to Film Studies. This book will be the textbook for my upcoming Film course at ASM. Read full review

Review: Looking at Movies: An Introduction to Film

User Review  - Brooke - Goodreads

If you're interested in how to analyze film, this is a great book. It hits all the big aspects of film review and has lots of examples. Quick read. Read full review

Contents

What ls a Movie?
3
Form and Expectations
33
Patterns
39
Copyright

30 other sections not shown

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About the author (2010)

Richard Barsam (Ph.D., University of Southern California) is Professor Emeritus of Film Studies at Hunter College, City University of New York. He is the author of Nonfiction Film: A Critical History (rev., exp. ed. 1992), The Vision of Robert Flaherty: The Artist as Myth and Filmmaker (1988), In the Dark: A Primer for the Movies (1977), and Filmguide to "Triumph of the Will" (1975); editor of Nonfiction Film Theory and Criticism (1976); and contributing author to Paul Monaco s The Sixties: 1960 1969 (Vol. 8, History of the American Cinema, 2001) and Filming Robert Flaherty s "Louisiana Story": The Helen Van Dongen Diary (ed. Eva Orbanz, 1998). His articles and book reviews have appeared in Cinema Journal, Quarterly Review of Film Studies, Film Comment, Studies in Visual Communication, and Harper s. He has been a member of the Executive Council of the Society for Cinema and Media Studies, the Editorial Board of Cinema Journal, and the Board of Advisers of the History of American Cinema series, and he cofounded the journal Persistence of Vision.

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