The Cambridge History of Seventeenth-Century Music

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Tim Carter, John Butt
Cambridge University Press, Dec 22, 2005 - Music - 591 pages
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The Cambridge History of Seventeenth-Century Music seeks to provide the most up-to-date knowledge on seventeenth-century music.
  

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Contents

Renaissance Mannerism Baroque
1
The seventeenthcentury musical work John Butt
2
Music in the marketplace Stephen Rose
3
Music in new worlds Victor Anand Coelho
4
Music and the arts Barbara Russano Hanning
5
Music and the sciences Penelope Gouk
6
The search for musical meaning Tim Carter
7
music in court theatre Lois Rosow
8
Music and the arts
111
Music and the sciences
132
The search for musical meaning
158
music in court theatre
197
music in the liturgy
283
sacred songs
324
secular song
378
the solo instrumentalist
426

Italian opera after 1637 Tim Carter
9
music in the liturgy Noel ORegan
10
secular song Margaret Murata 13 Fantasy and craft the solo instrumentalist Alexander Silbiger
13
canzona sonata and concerto Gregory Barnett
14
The seventeenthcentury musical work
27
Music in the marketplace
55
Music in new worlds
88
a casestudy in Portuguese expansion and Jesuit patronage
98
vii
100
canzona sonata and concerto
479
The sonata da camera and the proper exercises of nobles
501
Topoi tonality and the churchly
507
Chronology
533
Places and institutions
547
Personalia
556
Index
572
Copyright

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About the author (2005)

John Butt is Gardiner Professor of Music at the University of Glasgow. His book Playing With History: The Historical Approach to Music Performance (Cambridge, 2002) was the winner of the 2003 Dent Medal, and was shortlisted for the 2003 British Academy Book Prize. He is the author of Music Education and the Art of Performance in the German Baroque (Cambridge, 1994), Bach: Mass in B Minor (Cambridge Music Handbooks, 1991) and Bach Interpretation (Cambridge, 1990), and has edited the Cambridge Companion to Bach (1997).

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