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THE THEATRE AND THE PROFITEER
THE SEMICOMMERCIAL THEATRE
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actors aesthetic appeared artists audience Austrian became C. B. Cochran cabaret circus co-operative colour comedies commercial theatre costumes Courville critics Daily News London dance decorations directors drama dramatists economic educator effect England English theatre entertainment exhibitions Expressionism Folies Bergeres followed France French Gerhart Hauptmann German Government Grosses Schauspielhaus Hauptmann Ibid ideas indecent influences Jacques Copeau Kamerny Theatre Labour Lena Ashwell Leon Bakst Machine Max Reinhardt means methods military Moscow Art Theatre multiple theatre managers music-hall National theatre newly rehearsed Observer London October Old Vic Opera organised Oscar Asche Paris performances play-goers players plays Polish political Popular theatre pre-war produced profit propaganda Repertory theatre Revolution revue theatres Russian Ballet scene scenery sexual Shakespeare Shakespearean social soldiers Soviet spiritual stagecraft Standardised straight theatre theatre movement theatrical financial theatrical Trust tion Trust theatre Warsaw wartime Weekly Dispatch London workers