American Culture in the 1940s
This book explores the major cultural forms of 1940s America - fiction and non-fiction; music and radio; film and theatre; serious and popular visual arts - and key texts, trends and figures, from Native Son to Citizen Kane, from Hiroshima to HUAC, and from Dr Seuss to Bob Hope. After discussing the dominant ideas that inform the 1940s the book culminates with a chapter on the 'culture of war'. Rather than splitting the decade at 1945, Jacqueline Foertsch argues persuasively that the 1940s should be taken as a whole, seeking out links between wartime and postwar American culture.Key Features:* Focused case studies featuring key texts, genres, writers, artists and cultural trends* Detailed chronology of 1940s American culture* Bibliographies for each chapter* 20 black and white illustrations
What people are saying - Write a review
We haven't found any reviews in the usual places.
abstract expressionism actors African American American Culture artists atom bomb audience awarded band battle Benny Bill Traylor broadcast career Century Chicago cited Citizen Kane comedy Comic Book conﬂict critics decade deﬁned despite drama early editor Erenberg especially Faulkner ﬁction ﬁgure ﬁlm ﬁnal ﬁnally ﬁnancial ﬁnd ﬁrst ﬂag Fussell genre Guggenheim Hiroshima historian Hollywood home-front Horace Pippin Ibid inﬂuence inﬂuential Japanese John late magazine military Modern Murrow musical Negro noir Norman Rockwell notes novel observes Ofﬁce ofﬁcial Paciﬁc painting patriotic Peggy Guggenheim performed period Pippin played political popular post-war programme racial radio readers reﬂected regarded reports Richard Rodgers Rockwell Rodgers and Hammerstein role Roosevelt Russel Wright sacriﬁce Saving Private Ryan scene signiﬁcance social soldiers speciﬁcally star story style swing television Theatre theme throughout Truman United University Press viewers war’s wartime William women World Wright York World’s Fair
Page 26 - States entering with reasonable confidence upon a policy of firm containment, designed to confront the Russians with unalterable counter-force at every point where they show signs of encroaching upon the interests of a peaceful and stable world.
Page 22 - And in the glare brighter than sunlight produced by the assault on the atom, we have all the light we need with which to examine this new world that has come into being with such clicking abruptness. Thus examined, the old sovereignties are seen for what they are — vestigial obstructions in the circulatory system of the world.
Page 23 - When he had penetrated the bushes, he saw there were about twenty men, and they were all in exactly the same nightmarish state: their faces were wholly burned, their eyesockets were hollow, the fluid from their melted eyes had run down their cheeks. (They must have had their faces upturned when the bomb went off; perhaps they were anti-aircraft personnel...
Page 15 - MY discussions of the concept of race, and of the white and colored worlds, are not to be regarded as digressions from the history of my life; rather my autobiography is a digressive illustration and exemplification of what race has meant in the world in the nineteenth and twentieth centuries. It is for this reason that I have named and tried to make this book an autobiography of race rather than merely a personal reminiscence, with the idea that peculiar racial situation and problems could best...